Authenticity

‘Cultivating a life of elegance & authenticity’ is the tagline for The Natural Eclectic. We hear the word authentic used a lot these days..but what does it really mean? A person that is authentic is one who is honest, genuine, trustworthy. Someone who presents themselves as who they really are. In design and craftsmanship, the same applies. There’s certainly a  demand and desire for mass produced items that have been made to resemble natural materials or aged treasures – nothing wrong with that -but there’s just something so charming and satisfying about the real thing! Knowing it was carved by human hands, seeing the patina burnished from years of love, noticing the irregularities caused by the unique man made processes involved.

Yesterday I found an old Hans Wegner chair. While mid century design is not really my thing, I did grow up though with the iconic ‘wishbone’ chair which is an amazing example of great design. My parents bought eight chairs from Denmark 50 years ago and my mother just found the old receipt of $180 for all! I do hope to adopt them one day as I find them  elegant and timeless.

While the chair I found yesterday was a different style and was covered in a new fake python vinyl, I knew instantly with it’s great curved shape and joinery detail it was the real thing.

Underneath we found the original upholstery, which we think is vinyl as well. Somehow though, knowing it was the original seat covering, made it such an exciting find! It was the ‘authentic’ choice of the designer, even if the material choice itself was ‘fake’ so to speak.

The vinyl was probably the first choice due to it’s practicality. So when I think of or use the word authentic, I use it in the sense of ‘how it was intended or meant to be’ and not fooling, pretending or passing something off as one thing when it it really another. Not being false or deceitful about origins.

The vinyl has lots of marks on it, which purists may not like, but I love all the fading, scrafitto and speckling. It resembles a delicate  etching or gentle water color painting.

In my boutique I like to mix new with old. Old that really is old, new that is new, clean fresh and contemporary. I embrace both. I also love to craft things with my own hands even though I know I could be more profitable going another route. It’s just so satisfying to have a concept and see it through to the end, making it myself, feeling the materials. People respond to this. They know the difference. I was going to write this post about a series of pillows I just made from ‘authentic’ old woven towels that were from my sisters old farmhouse in Italy. Then I found the chair and it seemed like the right metaphor for the theme of aunthencity. So I will share the pillows that I made by hand on my mum’s 50 year sewing machine for my next post : )

All Photographs Heather Ross 2012

the language of color : lavender

Color is a language all of it’s own. Color has such a strong emotive quality that it’s influence on us just can’t be overlooked – and yet we all seem to be drawn  to different colors for different reasons.  In my years of working with paint, textiles & photography the most consistent compliment I have received is ‘you have a wonderful sense of color’. Sense is really what it is all about…. almost like a sixth sense, some unspoken understanding of the nuance and influence of tones & shades, how they interplay, combine & resonate together. Those who know me, have ever worked with me or visited my boutique  know I love a cooler palette. All the watery ethereal tones of sea & air. In all my life I have never really been attracted to ‘hot’ colors. There are a few exceptions. Saturated hot pink in a tropical climate is amazing. Warm blushy tones are so elegant mixed into a neutral palette, and a pop of rosy coral or chinese red can be such a beautiful contrast to a turquoise or sea green palette.There is one ‘warmer’ color that I truly adore and use consistently as an accent, and that is the lovely & versatile lavender.

This winter I created a whole festive tableau in lavender. I was inspired by an amazing sea urchin I had found that matched the tones of a wonderful old tuscan pitcher I own with a rare glaze of dappled lilac. It was an unusual choice perhaps, but I peppered it with snowy whites and tarnished silvers to give it a glimmer.

I just love mixing lavender tones with  natural raw linen. I actually painted my living room wall the palest tint of lavender, as seen here with my linen drapes. The mouldings are all white and you can’t quite even tell if there is color on the wall or just warm rosy light bouncing off of it. It is very uplifting yet soothing. That’s the great thing about lavender, it acts as a neutral [ I once said lavender is the new grey! ] mixing so well with greys, browns, taupe and creams yet is also is such a  compliment to other colors such as blues and greens.

Lavender is kind of like the more mature or masculine version of  pink. Lavender has gravity to it, yet is still undeniably pretty.

In nature it is found everywhere, you would be surprised. Not just in seashells and flowers, this tone surfaces like a velvety cloak on many natural forms.

The sophisticated depth of lavender  [ it can range anywhere from a greyish tone to mauve, lilac to rose or even almost an indigo ] is a fabulous choice to mix into an earthy palette.

It sort of elevates a still life or room to something beyond just ‘natural’. Look how well this antique satin ribbon plays off the patina of the antique silver and livens the little bird nest scenario. In my book I will further explore the use of color and all the wonder it evokes. Even purists who love only whites know that within the palette of white there is a myriad of shades to explore, with undertones of grey, cream, charteuse, blue or yes even lavender!